Nott the Hoople
The Lizard Lounge
Oct 24, 2019
Thee Fightin' Fish, Sara & the Scaliwags,
Glider, Triple Thick with Kenne Highland, Baabes
Thunder Road
Oct 25, 2019
Michelle Paulhus
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The tradition of bands being possessed by alter egos on Halloween got off to
a highlight reel start at the red-light Lizard Lounge last
night. Nott the Hoople went deep and wide with a cavalcade
of local rock stars working the Ian Hunter songbook. Music director
Phil Aiken kept all the meteors from spinning off into space with ample
help from Chris Anzalone on drums and Ed Riemer on
bass. Billy Loosigian had each songs’ guitar hook down
and still found time to inspire bursts of air guitar and Mick Ralphs memories
particulary on the Ready For Love solo. Paul Ahlstrand took
advantage of his time and laid down the tenor skronk in all the right places.
The crowd and band were in sync from note one as a tag team of local luminaries
moved back and forth into and out of the spotlight. Lee Harrington
got a bucket list check-off point when he did a cranked version of early Mott
's Walking with a Mountain. Simon Ritt touched up I Wish I
Was Your Mother, Michelle Paulhus put on the party with Just
Another Night, Anthony Kaczynski got to take his Shades Off
and Kim Ackland took on the lilting, all but solo, 3000 Miles
From Here. The pace never wavered. The Hooplettes - Jen D’Angora,
Tony K., Michelle Paulhus, and Kim Ackland - pushed
choruses into the stratosphere. The crowd was happy to jump on for the ride.
After almost 30 songs, Pip Everett and the band took it home
with heart on the sleeve runs through Saturday Gigs and All the Young Dudes.
Night two of alter ego bands moves to Thunder Road. It’s
obvious that everyone took their fun seriously and everything was surprisingly
tight. Thee Fightin’ Fish took on Neil and Crazy Horse.
Andy Excuse roars through the vocals. Bob Roos soars
on the Neil spazz guitar tone. Sara & the Scaliwags resurrect
Tom Petty to good effect with Sara deadpanning “It’s
good to be alive again!” and The Q getting a chance to
lay down some big bass.
Cal Cali and Glider go for the Dylan. They
lead with the slow, challenging Visions of Johanna and pull it off. Cal
has the passion going. The classic changes give Fightin’ Fish, S and the
S’s and Glider plenty of strong tunes to stretch out in. The sounds that
pulled the Petty and Dylan tunes up and over the top came from Al Schmel’s
always lysergic guitar strangling - like a day-glow paint job on a peeling house.
Simon Ritt
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Triple Thick and Kenne Highland channeled
Roky Ericson with a psycho garage explosion. Zombies, Fire Engine, I Walk with
Demons, Don’t Slander Me. Kenne has the voice and the
look. The band was spittin’ fire, especially Greg #2
on guitar with songs that gave him an opportunity to stretch his solos beyond
the triple thick boundary.
Baabes blew the dust off the Book of the Dead and raised The
Mummies up from eternal damnation. I’m not sure if it’s possible
with Baabes, but if anything, the gauze bandages and the flying
keyboard gave them license to be even more unwrapped then usual. Everything
is turned up to 11. Gauze, keyboard, and Johnny fly through
the air. Frankie Sinn’s guitar is set to eviscerate.
The riffs are relentless. The vibration is off the scale.
Burn the tana leaves. Make up more elixir. Bring Imhotep back from the dead.
Al Schmel
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Backin' up Neil
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Cal Fred Astair Cali
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Billy Loosigian
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Dan Kopko
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Jen D
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Jen D and Michelle Paulhus
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Kenne Highland
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Kenne Highland
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Kim Ackland
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Lee Harrington and Pip Everett
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Paul Alhstrand
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Rodrigo van Stoli
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Them
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