|Women Who Rocked Boston
Documentary by Andrew Szava-Kovats
This is the follow up to Andrew's Let's Go To the Rat documentary.
There are revolving dialogs with about 12 women.
There is a pre-punk Lilith who were out there
with almost no precedent. The clips from them show a group who could
It's cool to see Melodye Buskin who was in
Phobia and later Lou Miami. She was always striking visually
as well as aurally. Also with Lou Miami as drummer was Laurel Blanchard
(also in Lilith and later James Straight and the Wide Stance)
who has the best story about being ignored because of gender. She's
in a room packed with male drummers who will not even acknowledge her
We see Jane Hudson's interview viewed from
an ultramodern streamlined TV set; great idea. Jane and the Rentals
still stick out as unique. I would say they "followed their own drummer"
but they didn't have a drummer.
The only non-musician is our own Miss Lyn
of the Boston Groupie News who tells her tale that at some point
develops into this web site, right here. Carmen Wiseman also
began as a fanzine editor with Misscarage and has stories about
that as well as her bass playing in The Girls.
Linda Viens of Witch Doctor and Kingdom
of Love gives the most articulate and analytic interview. Suzie
Kerr-Wright gives an insight into the antics of the Swinging
Erudites who had a close call with actual success as did Girls
Night Out and Tennie Komar. Tennie has some stories you might
expect about sex and success in a male dominated business. There's no
getting around it, women had to deal with the male expectations and
their sense of entitlement and you get those stories.
There are also some music clips from The Bristols, Jen Trynin,
Girl on Top, Ramela Ruby Russel, Tracy Bonham and
Juliana Hatfield. I loved the period music video by Tennie
Andrew lets everyone have their say. It's a
service to get these stories and to see these women reviewing the Boston
music history they made. This is also a book that has some extra material
including the board game CLUBLAND that was in the Boston Groupie
News #29 back in 1982.
And don't forget Let's Go to the Rat
which is available also on Amazon
and check out Andrew's
website which has more info. Everyone talked about doing a movie
on the Rat for decades but Andrew did it. There's a lot of David
Minehan in it and Jimmy Harold of course.
The Boston Groupie News has its say. John Keegan gives a review from a viewing at the Brattle
Review by Blowfish
|DeA.D. Alive .
Reviewed by Zach Foster
For the first time in 15 years the resurrected
Misfits have released a live album. Two things make DeA.D. Alive
different from its predecessor (Evillive II): first, that this record
is their first live album not to feature any songs from the Danzig
era, and second, this is the Misfits' first live album (and third
album overall) to be self-produced and released on their own record
label, Misfits Records. Whether people love or hate the new Misfits,
the fact that their albums are now self-produced, self-recorded, and
self-published (and their concerts self-booked) makes them a part of
the DIY punk community.
The song features 14 tracks from the Michale Graves
era and the current era, with vocalist Dez Cadena (formerly of
Black Flag) performing all the songs. This is actually surprising
since Jerry Only usually takes the lead with vocals for live
performances, but he may have let Cadena take the lead for the
official recordings as Cadena is a better vocalist. It was a good choice
as Cadena's more versatile vocal range shows up better against
the background noise that comes with live recordings. (To the credit
of the sound engineers the background noise is totally eliminated from
most of the tracks.)
The first seven tracks are songs from the 2011 Devil's Rain album. Just like the studio album, this live album opens with "The Devil's Rain" and moves on to Vivid Red. At the risk of sounding bold, the live performances of "Vivid Red," "Land of the Dead," "Curse of the Mummy's Hand," and "Dark Shadows" sound better than the studio recordings.
Six of the tracks are from the American Psycho
and Famous Monsters albums from the Michale Graves years.
While the live performance of "American Psycho" is way too fast
to sound good, the renditions of "Dig Up Her Bones" and "Scream"
are adequate. Let it be understood that no one has a voice like Graves,
and the way Cadena holds his own on "Helena" and "Saturday
Night" should command respect. However, before "Saturday Night"
(used as the closing song for the album and most Misfits live shows)
comes the crowning jewel of this live album: a solid punk rock cover
of "Science Fiction Double Feature" from Rocky Horror Picture
Show which the author of this review listened to 900 times on repeat.
This song alone is worth spending a measly $10 for the album.
All in all DeA.D. Alive shows a good effort
by the Misfits to entertain fans with good sci-fi and horror
punk rock music. Anyone who can get over the petty politics of the Danzig/new
Misfits rivalry is sure to enjoy this long overdue live album
from the band that defined horror punk and, though it may lack most
of the original members, its current lineup includes veterans of punk
rock who carved their own niche in the industry and command respect
on their own.
|UNBA UNBA .
HSR LIVE 1982
Have we learned the lesson yet, you have to wait
to get the good stuff? Here again 30 years later we get a wonderful
gift of a full Human Sexual Response set.
Today we can still appreciate the qualities that made them unique: four singers, energetic stage shows, theatricality, strong songs and rocking music.
This DVD captures a 1982 show at Streets
(that forgotten club) with 14 songs. Outside of the second song there
are no effects just straight forward shooting by multiple cameras -
quality stuff. You get to see them sweat right to the pores on the face
at some points. The editing is top notch giving each song interesting
visuals every second and a smooth flow to the whole set and we know
that took mucho work by producer/editor Jan Crocker. I can just imagine
the time it takes.
The energy on stage never flags. You don't just
get one front man but four dancing furiously adding to the excitement.
The three instruments add more complexity and
chaos than you would have thought possible. Sometimes it seems like
Rich Gilbert must be playing a cyclone with a pickup with the
amount of sound coming out of him. During Pinecones he bounces
a beer bottle on the strings and in Pound he plays the whole
song strumming behind the bridge making it sound like a buzz saw on
One of their most distinct features is Larry Bangor's voice. It quavers and shakes with his patented vibrato and tone. Through the years when you hear it on the radio you always have that happy thought - ah, a HSR song.
None of the songs have pedestrian lyrics. The singers always seem like they want to sing you a story or give you a hot rumor. Sexual tension inhabits much of the material, it all a little arty and playful.
Pound is a highlight. It works up to a repetitive
chant of "pound" that puts you in a hypnotic hold. UNBA has that hypnotic quality too.
Land of the Glass Pinecones and What Does Sex Mean to You
haven't faded a bit. Jackie Onassis is not in the live set but the record
version is used as background for a show of posters. The extra is a
commentary track by the group which is hard to hear and follow sometimes
but does have some worthy stories.
If you are a fan you need this.
|Not a Photograph.
The Mission of Burma Story
It looks like after it's all over the group with the highest profile and biggest influence from the early Boston punk era will be Mission of Burma. That has taken a while to see, but there it is.
This DVD goes over their history which is not complicated by group standards but does have the drama of the early break up and Roger Miller's ear problem.
They come over as a nice bunch of guys. You get the most personal insight into Peter Prescott. Talking head comments by locals are: Oedipus, Minehan, Eric Law, Rick Harte, Lili Denison and Eric Lindgren.
In the 70 minute documentary you get to see them working up to their reunion gigs; especially the show at the 608 club in Cambridge (that didn't last long). In the extras there are 9 full songs performances.
I would have liked to hear more about how they created the music, more about their rock influences, more about their interest in Dadaist art and their use of its techniques, more about the concerns that motivate their lyrics, and more about Rogers' approach to guitar playing. I guess I just want more, maybe that's another film.
Despite that what you get here is a well done look at Burma and their not easy path as a band. It makes you admire them even more. They seem like such soft spoken men until they get onstage and the collective roar comes out that flattens everything in its path.
|The Run and The Run Redux.
By Ralph Fatello
Ralph Fatello proves himself dependable and steady as he brings us the latest in New England surf action. Ralph is not the only one who is steady as these DVD's show the steady surf in NE. THE RUN as Ralph has branded it ran from February 18, 2009 to December 10, 2009 comprising 43 out of 44 weeks of waist high or bigger waves.
Ralph proves every year that there are big waves to be had around here but a run like that is a real phenomenon. The result is two jam packed generous DVD's. Ralph shoots all the action straight ahead with no frills and excellent quality. Ralph's videos are the only place where when you say they are snow boarding you don't mean ON the snow but on the water WHILE it's snowing.
One of the changes is these videos is the use of more untraditional surf music. The mold is broken with all local music acts. So, now you get the local music scene along with the surfing one. One of the most used groups is QWILL. Ralph does some playing too. I like the way the moodier music plays off the action in the water. One long fiery instrumental makes for a dramatic section.
The videos also have a sense of place; you pick up on the locals with the small interviews and the small snippets of the street scene.
Along with the videos there are some beautiful still photos by a group of dedicated photographers who help document the scene.
Extras include charity events that give credit to a community that gives back.
Both videos are long which makes them a great bargain.
You can get the videos at ....www.surffreeordie.com .
By Jan Crocker
One of the problems with Boston Punk is that to enjoy it you have to make sure you live at least 30 years after the date. Here's an example. This is a video of La Peste from 1979 fresh on your doorstop now in 2010.
What a gem: an 8 song video from La Peste. We have been La Peste deficient from the beginning. There just never was enough from these guys. Only the lack of material in the day explains why they didn't get more attention.
Here we get to see their arty yet hot version of punk. Peter Dayton and Mark Karl both thin and tall; Peter dark and Mark blond and angelic looking. Peter's guitar buzzing and sometimes clanking like a steam engine while Roger Tripp will crack sharp on the snare and then make a busy rumble on the toms. It's all captured here on a good night.
You also get the feel of the crowd and the space. It zaps you back to it's time and place.
The disc also has 12 more songs with tons of pictures of the group. It's all a must have.
Get it from Jan at his site http://www.kinodv.net/movies/archive/La_Peste-Package.html
From Sony Pictures.
The story of hardcore in America as the title says. It's much worth seeing.. Three's lots of interviews by the principals of the scene and Boston gets its share, we care about that. They talk to Jerry's Kids, SSD, DYS and Gang Green. Springa gets himself in there a lot; it's hard to stifle that wild personality. They do give the props to SSD.
Black Flag, Bad Brains and Minor Threat get the attention they deserve. I liked the chance to see Ian MacKaye talk for a while. Rollins does the Rollins thing. H.R. from Bad Brains gives a lucid interview and they say that isn't always the way.
It's fantastic to see the short film bursts of gigs. Hardcore shows are the most exciting shows in rock and you can see that every time a film clip plays. Some times during a clip they subtitle the vocals which is actually a good thing. Putting words to the fierce onslaught of energy makes the impact even stronger.
Lot's of great photos.
The extras have 6 full songs. This is one place I thought they could have done more. There is one by Jerry's Kids and one by SSD.
The commentary by the directors is chatty and worth hearing.
This is readily available around.
By Ralph Fatello.
As sure as the seasons change Ralph Fatello gets out his surf videos. This year he has two: Greeting Seasons and GrooveMasters.
The local long boarders get their due in GrooveMasters. The triple fin guys used to see the long boarders as a throwback or oddity but here we see them as a comfortable community of very able surfers. They get the classic long gliding ride although they can get a modern move in when they want.
As with all of Ralph's video you get to see plenty of surfing in the New England breaks. The production is quality with good music, it's always easy to take in.
Greeting Seasons (clever) takes you through a year of ocean action in New England from Jan. 2007 to Nov. 2008. Sometimes it seems like none of the beaches have sand, it's always surfers working their way through rocks to get to the breaks. You have to wonder at the hardiness of the surfers who have wet suits on almost all year because even if the air is warm the northern Atlantic isn't.
Greeting Seasons comes up with two big celebrity surprises. First you get legendary Tom Curren surfing in conjunction with some event. One would never expect to find the three time ASP champ in NH but there he is and Ralph got him.
Next Ralph films gentleman surfer Shaun Tomson. This former world champ was just checking out the surf in NH!. I love Shaun so that was a big thrill for me.
If you like to check out the local surf scene this is the only place to go.
You can get the videos at ....www.surffreeordie.com .
By Ralph Fatello
Ralph Fatello was always into surfing even during his days playing on the scene in the Vinny Band. When the BGN did a "Day in the Life" feature on Ralph it was all about the surfing. Now Ralph works his design agency (www.adlantic.com) and still spends his time surfing.
Also, he does one or two surf videos a year. The DVD's spotlight surfing in New England, New Jersey and Cape Hatteras, mostly. It's a kick to see the NE surfer in his element. These guys can cut it with lots of nice moves and some respectable waves. The winter surfing sections will give you frostbite just looking at them. These surfers are hardcore like the warm weather riders can never be.
Ralph does good production and you can see here what he will bring to the documentary on the Rat. One of his biggest strengths is matching music to visuals. All the DVD's have small side elements like jokes or interviews but nothing gets long because Ralph is going to show surf action, that what it's all about for him.
The surfing community is lucky to have someone like Ralph cranking these things out. Pictured here is his 2007 epic. All his DVD's can be bought in some surf shops in New Hampshire where he is based or on www.surffreeordie.com his web site.
This is the real deal, local action in the Atlantic. Very worth it for the interested.
|The Cabinet of Dr. Caligari - Robert Weine.
From Lowbudget Video.
What a wonderful opportunity this is. A chance to see The Cabinet of Dr Caligari with some updating and it was done locally.
This film is so influential on many areas of art. I'm not going to go into the history and such because it has been done elsewhere. (Check out Wikipedia for a start.)
I know we all have trouble getting through silent film but this is too good not to tackle under any circumstance and here it is a pleasure.
Tim Casey has cut the title cards and added subtittles which keep things moving. Hayim Kobi has added a winning electronic score. It's here in 5.1 surround sound if you want to crank it out and you should. It perks up the whole experience for the modern vewer.
Not having seen this for some time I was amazed again at the incredible set designs. To think these were done in 1920 is a source of wonder. Goth fans have to digest this, I mean it's mandatory.
This is available at www.lowbudgetrecords.com which is also Mr. Curt's label currently.
Very highly recommended.